Red Carpet

CMA’s Red Carpet 2016

HEY YA’LL, let’s kick off 30 variations of country awards shows with “country” boys in tuxes that I want to lick and…wait what were we talking about? Oh right, ladies were at the CMA’s as well. I’m no Kaitlyn Bristowe cracking jokes and singing songs with the stars of the red carpet but I AM GOOD AT ONE THING and that’s passing fast judgements on fashion when I know nothing about it. Here are the winners and losers of Nashville last night.


The 50th Annual CMA Awards - Arrivals

Little Kidman on the Prairie. Can’t she look kewl for Keith like at ONE country awards show? I mean come on, your huz is a rockstar and you’re wearing a floor length dusty pink gown buttoned up to your eyebrows.

Kacey Musgraves

I’m not completely boo’ing Kacey here. It’s more of a soft boo from the back of the crowd. Her makeup and hair are FIERCE and then she turns into a giant cupcake. I even like the color and material of the dress but like maybe don’t cover Nashville with it?

Easton Corbin

Easton Corbin’s a cutie but I can’t help but see a cater-waiter at a holiday party with this jacket. Or like, guest star on Suite Life of Zack and Cody. Choose your own adventure.

The 50th Annual CMA Awards - Arrivals

Horses fighting (or loving?) are covering Cassadee’s lady bits. Also never been a fan of the slicked hair. Kardashians can try to bring it back all they want but that’s what my hair looks like on Sunday night when I didn’t shower all day and that’s NOT photo-worthy.

The 50th Annual CMA Awards - ArrivalsPls submit your best guesses for what is on his shirt.

The 50th Annual CMA Awards - Arrivals

Looks like she got lost in the forest and while running scared her dress got caught on tree branches and ripped. Forest run chic.

The 50th Annual CMA Awards - Arrivals

Did everyone know that this is Rob Schneider’s daughter? Elle’s dad is Deuce Bigalow. Mind blown. Anyway, these pants are the worst.

Dustin Lynch

I mean, Dustin Lynch lands on my worst dressed every year for his embroidered suits.

Maren Morris

Why so mad, Maren? (Cause she didn’t make my best dressed.)



The 50th Annual CMA Awards - Arrivals

Sweet vagina flap, Jamie Lynn.

Wendi McLendon-Covey

An embroidered doily disaster.

Martina McBride

Did you ever see someone take a foil gum wrapper and tear pieces off from the wax paper then stick it to their five star during an especially boring 5th period science class? That’s what this dress looks like.

The 50th Annual CMA Awards - Arrivals


The 50th Annual CMA Awards - Arrivals

The hip flower is really throwing this off.


WHAT IS THIS HAIR?! This can only be described as caught in the rain hair. Did Tay know she was coming to the CMA’s or did she just drop in on her way to Target? Dress is bomb though.


The 50th Annual CMA Awards - Arrivals

I think like 90% of why I love this look is the mid-swish they captured Kelsea doing here. I love a good swish dress.

The 50th Annual CMA Awards - Arrivals

I need to be alone with this photo.

The 50th Annual CMA Awards - Arrivals

1. Jennifer Garner hasn’t aged one single day. 30 going on 13, amirite?! (That joke fell flat, I can already tell.) 2. Both ladies killed the classic and elegant red carpet look.

The 50th Annual CMA Awards - Arrivals

Changin the game with the only crop this year! Kaitlyn looks like a babe and makes me feel like a real asshole for skipping the gym for two nights in a row because I’m cold.

Canaan Smith

Since Brett Eldredge decided to go to the Cubs game instead of the CMA’s (wut3v3r) this is what I imagine he would wear. So thank you, long haired Brett. (Canaan Smith)

The 50th Annual CMA Awards - Arrivals

WHO are these new stud muffs on the scene? As my mom would say, their outfits are dope.

Jessie James Decker

JJD slays all day.

The 50th Annual CMA Awards - Arrivals

Chase Rice went for the classic black tux. Never fails.

The 50th Annual CMA Awards - ArrivalsThe 50th Annual CMA Awards - Arrivals

I think I’m more down with the right half of the property bros look than the left half. Suh Fall.

Carrie Underwood

Could use a little more leg but no other complaints here.

The 50th Annual CMA Awards - Arrivals

Cole makes a baseball cap look suave with this leather lapel suit. (whispers: flip your hat backward.)

The 50th Annual CMA Awards - Arrivals

I call this look princess ballerina.

The 50th Annual CMA Awards - Arrivals

Not usually a fan of the basically black lip (except for my Halloween costume of 2015) but these outfits go together like Maddie & Tae. WINK.

Gabby Douglas

I said Gabby Douglas was so four years ago in my Halloween blog this week but she proves me wrong with this fun party number.


Suck on it, Blake.


I had a solo shot of Thomas Rhett to post but it didn’t feel right without his smokeshow of a wife, who literally all of his songs are about. Obviously they’re the most adorable.

I won’t be recapping the show because it’s 90% performances and I typically fall asleep during half of them (except for Luke, shout out to those thrusts though.) Instead I’ll leave you with the real MVP of the CMA’s. Unnamed sassy sax player. Beyonce who? Seriously I couldn’t focus on anyone but this whoutfit-clad, sparkly cowboy boot wearin, stank-steppin saxaphonist.


The brightest star in the galaxy of Yeehaw’s.

The only thing that could steal his thunder was McConaughey un-ironically doing his Wolf of Wall Street chest pat.


Ripped the spotlight right off that sax tootin’ angel without even trying that hard. May he rest in bedazzled cowboy peace.

And that’s all you need to know about the 50th CMA’s.

Nashville, Television

Nashville-“Maybe You’ll Appreciate Me Someday”

(Ehhh…probably not.)

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OH BOY. We are finished. The series of Nashville is dunzo (until they grovel so hard for a spot on Hulu and I pretend it no longer exists.) I counted down the minutes this episode, urging everyone to get their shit together by the very last frame. And they did. Sort of.

Let’s start with some LoLz. Colt facetiming Luke from “the army” wearing a camo bucket hat. They really made that one believable. How did he get his ass kicked for defending his dad’s liberal views and yet doesn’t get his ass kicked for rocking that bucket hat? Seems fishy, is all.

Let’s check in with Maddie for a hot sec. She’s still doing the NYC thing and upon meeting her producer, takes a kissy-faced selfie with him. SHE’S SO MATURE AND DESERVING OF AN EMANCIPATION. While shamelessly stalking their daughter on Instagram, Rayna reveals that Maddie’s producer Vince is the same one who tried to give her some unsolicited kissing back in the day. Deacon’s all, you don’t say! As he puts on his readers and goes in for a closer look. Just don’t accidentally double tap, Deacon! Every insta-creepers’ worst fear. Rayna somehow escaped the clutches of Vince back then (probably by flipping her magic hair and telling him to suck it) but she’s pretty concerned about Maddie. Probably because Maddie’s an idiot who would probably ask Vince mid-rape if he would mind posing for a quick snapchat (with the dog filter obvi.)

That may seem like a harsh assumption but when Vince drops the “I’m having some people by my private studio, you should stop by” line and Cash the wannabe is like WE’RE SO THERE, it doesn’t reeeaaallyy seem like a great idea. The second they walk in Maddie has her dumb phone out for a selfie. I want to hulk smash that phone out of her hand. More to come on the Maddie front but I’m irrationally angry about what a moron she is at the moment.

So we’re going to chat about Scarlett, whose southern accent gets more hick every time I hear it. My ears will be #blessed without it penetrating them every week. After another encouraging chat from that manager who’s only lines have been about headshots and tour offers up until this very last episode (cheers to you for finally getting your time to shine as a character in the series finale, guy) Scarlett decides to word vom it up to Gunnar that she loves him. Aaaand then Big Red comes tromping in like bull in china shop and is all omgggg you told her we’re together?! Die away from me, Red. She then manipulates Gunnar to believe Scarlett doesn’t really mean it, the Exes break up for a hot second, manager flexes his acting skills again with another pep talk and bingo bango, you’ve got a live Exes reunion when Gunnar plants one on Scarlett mid-concert. This generates an AWWWW for all normal people, and hysterical laughter from me. Be more predictable, Nashville. You can’t.

JK they totes can because guess whose garbage can devious plan went up in flames around her? Laaaaaayla. (Pls sing in Eric Clapton voice for full effect.) As she sees her sham of a publicity relationship with Avery going downhill, she calls in an anonymous tip to the paps that Juliette killed the Jeffster. There’s lawsuits and headlines and Juliette’s like whatever I’m over it, let’s do this thing. Kind of pokes a hole in Magnum Layla PI’s course of action here. I’ve never seen someone try so hard just to date a guy with a flavor savor. Gross. Glenn loses his shit on Layla, knowing exactly what she did and fires her. When you get yelled at by Glenn, you know you’ve hit rock bottom. At the same damn time, Luke tells Avery that Layla has known forever and it’s byeee bye bye bye bye to her career…and relashe. Juliette comes clean at the Oscars, proving how much she’s matured and Avery is like okay you may come back to us now that I know you almost offed yourself just because I divorced you. So everything’s roses for mommy, daddy and forever screeching baby Cadence. Right?

In the trend of full-circle character development, now that Will has decided to speak of his gayness on a political talk show, he’s fully embracing the community. He rallies some wily gays in Atlanta via Kevin (who’s newly single) to protest outside of Cynthia’s studio. In turns into a quick pop-up concert with a duet between Luke and Will that has Kevin soaking his undies out in the audience. Will finally gets his shot to appear on the show, crushes it, obviously and then gets some sage advice from Luke about going after Kevin. “You never know if you’ll get a second chance, until you take a chance.” Wow, Luke. That was PROFOUND. Sounds like it belongs in one of your shitty songs. Either way, both boys take that chinese proverb to heart. Kevin and Will are back at it again and not one for leaving a character without a happy ending—Luke tries to reunite with his ex-wife who we never once heard anything about and even chats it up with his daughter. Cause like, apparently he has other kids too, who didn’t witness a man tumble to his death and then join the army to escape it.

Alright, now that we’ve tied up all of our supporting characters’ lives neatly with a bow, let’s get back to the insufferable Maddie and her forever front-facing camera. Rayna can’t figure out a way to warn her because as Desperate Deacon points out, “she blocked us on Twitter!” Gawd, can you imagine your mom tweeting at you not to get raped by your producer? #AWKWARD. Rayna does her one better and pens an open letter to Huff Post. This is why you never underestimate Rayna James. Oh, I can’t call my daughter? Cool, I’ll just have my message to her published in a national newspaper in five minutes. Boom. Roasted.

Deacon continues to cr33p so hard on Maddie’s insta, refreshing it every 30 seconds—and this is why parents shouldn’t be on social media—but lookie, lookie, finds her #PartyAtVincesHouse post. For someone whose constantly on social media, that hashtag bloooows. Act like you’ve been here before, Maddie. In fact, I’ll whip up a caption 1000x better for your right meow. How about #PhotobombPervAlert or #WatchOutForViolationVince? I could go on for days. Jus sayin. While Rayna and Daphne sing a duet (only Rayna gets a rhinestoned mic…in due time Daphne, in due time) Maddie finds her mom’s letter and finally stops being a dum dum. Except Vince has Maddie pinned down and Deacon comes plowing through at the exact right second to stop it. So does Cash…cause I guess she’s done chitchatting with Chris Martin (it pains me that they brought Coldplay into this.) BYEEEE CASH!! Hope you had a fun ride on the coattails of a sixteen year old! Deacon brings Maddie home and they all have a life that’s good. Weird. Who called that?

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And that’s all folks! PSYCHE, as Juliette is skipping the Oscars to race home to her fam, her plane has a distress call and she probably died. Guitar Riff. She didn’t win an Oscar either. Tough night for Juliette. But like, at least everyone else lived happily ever after! Even Luke! (Probably not Teddy..) Sucks to suck, Juliette. Thanks for turning into a gr8 person just to maybe die, or at best, get lost at sea. Cause Nashville is surrounded by seas. Ok whatever. Let’s end the series on an uplifting note. Known for his shitty toupees and success relying directly upon Juliette, Glenn has kind of gotten the short end of the stick in this series. But him in those blue glasses at the Oscars? HoT DaMn! What a stud.

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Welp that’s all I got. Thank you for allowing me to shit on this show every week and make it more bearable to watch by poking fun at it. Hope you weren’t banking on a streaming service comeback as much as the writers who stuck us with that cliffhanger were. BYE YA’LL.


(if you ever get lonely and have the nostalgic Nashville feels, hop right onto my playlist for a trip down memory lane of all the best music moments.)

Nashville, Television

Nashville “It’s Sure Gonna Hurt”


The time has come. ABC has spoken and Nashville is dunzo. IT’S ALL OVER CLAP CLAP CLAPCLAPCLAP. Okay sorry. If that sounded celebratory it’s because it 100% WAS. When your show goes off the rails, has storylines a monkey could write and becomes a chore to watch, it’s time to get the ax and I’m just glad that ABC finally saw that. What once was a show with phenomenal music and spicy love triangles turned into predictable garbage and I think this is the proper time to bid it farewell. Especially now that everyone is in a position to get back togets and love each other for a life that’s good. (Except Maddie, YIKES.) I’m going to promptly ignore the desperate pleas of the cast/fans to get it picked up somewhere else like Hulu or Netflix because after next week, Nashville is dead to me.

Moving on from the good word and onto last night’s episode where they decided to add fuel to the already flaming dumpster fire by creating a cameo from the ear-shattering cast of The View. Luke makes yet another appearance to wave that rainbow flag while Will sits at home with his feet up, chatting with daddy. The dramatics continue when Luke finds out Colt got jumped at boot camp because of the gay pride tour Luke has been on lately. Except it turns out that Colt actually threw the first punch because he was defending dear ole dad. Back in Nashville, a gay guy hides in the shadows at Will’s house to confrontationally tell him that Will’s coming out made him comfortable in his own skin. This seems like an aggressive thing to do just to encourage someone to speak up. Either way, it works and Will is like k I’m ready to talk about being gay now. ROUND OF APPLAUSE.

Red AKA Autumn Chase is going to see her BFF Elton John perform in Boston and poaches Gunnar for the trip while Scarlett the little Dutch boy (that hat though) goes to shoot a solo commercial in Chicago. Gunnar sings with Elton onstage and Scarlett has a super d33p convo with the pushy photographer. On what planet does a photographer hired for a shoot kick everyone out and sit down with the subject for therapy? Anyway, after their chat Scarlett boohoos real hard and we get a quick flashback of early Scarnnar days when they were just babies making beautiful music and lovin all up on each other. This forces Scarlett to admit that she loves Gunnar rriiiiiighhhtttt about the same time that Gunnar bangs Autumn “can’t take a hint” Chase because he felt guilty taking all her celeb favors for free.

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In other, couples that should be together and will be by the series finale news, Avery and Juliette are slowly finding out that their flings are stupid. Layla and Avery are acting couply as shit, which is pretty vomit inducing. Until Avery sees that Noah West has stopped by Juliette’s for the evening and he gets jelly belly of Noah playing dad to his demon child. Stressed about it, he nearly saunters offstage at the FAKE Bluebird mid-performance to answer his cell when he sees that Juliette’s calling.

Juliette and Noah go on their first “date”, which consists of taking care of an infant that screams every time two adults try to kiss and then watching Tommy Boy. Noah thinks Tommy Boy is the worst movie ever and Juliette loves it so she breaks up with him because they have NOTHING in common. At least she gave him a fair shot.

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And lastly, Deacon and Rayna are in couples therapy cause they’re DYSFUNCTIONAL AF. Rayna doesn’t really care about fixing her relationship with Deacon; she just wants Maddie back as she cuddles in Maddie’s bed clutching a framed picture of her like she’s dead. You know, real healthy stuff. In their own bed later, Rayna and Deacon touch hands so THEY’RE TOTES BACK TOGETS AND NO PROBLEMS HERE, YO! Tune in next week for the grand finale! Will Maddie come back or is she gone 2 soon? Is Teddy still rotting in prison? Will we get the ghost of Jeff Fordham? Or will we just get a really schmaltzy episode of their best duets and everyone reuniting to live happily ever after in Music City?

Nashville, Television

Nashville- “After You’ve Gone”


What a sad, sad montage to kick off this week’s episode. Rayna’s onstage crooning while an orange-vested Deacon scrubs graffiti off of a concrete wall. #JUXTAPOSITION. Oh, and Maddie does her best sexy flirty pout while Cash stage-moms it up from the side. Although it may look like she’s practicing her I’m innocent while also being slutty persona, she’s actually prepping for an auction. Yes that’s right, she wants a record company to bid on her like a piece of meat.

But before we get to that let’s clap it up for Avery this week because THEY LET HIM SING BY HIMSELF!!! On a stage!!! That’s SO season 1. He’s jamming so hard and feeling gr8 about life that he takes that adrenaline and smashes Layla against the wall out back for a mack sesh. Turns out she paid this photog to be there so she could get more press. Avery and Layla have a fight about being a “famous couple” and I wonder if Layla knows that a few short weeks ago Avery was singing commercial jingles for like barely a hundo.

Juliette gets a Google alert of Avery and Layla’s paid for public smooch while she’s shoving ice cream into her ice cream hole. NOT a good look. You know what else isn’t a good look? Using a picture of the ex while she’s mid-sneeze printed next to the tonsil hockey. That’s cold even for a gossip rag. Obviously she needs a hot date to get back at Avery and after a quick run-in with Kesha (thanks for stopping by, grl) Juliette ends up with movie hunk that was after her V when she was preggers. They bang and he wants to have a relashe, I’m assuming just until the end of the season when Juliette and Avery get back together.

Will’s mom died and he’s not allowed at the services. It’s also his fault she died, you know, cause he’s gay. He showed up anyway and whatdya know the church didn’t burn to the ground! His dad still hates him but at least when someone calls Will a homo, Papa Lexington is like NOT IN MY HOUSE…cause like only he can call his son homophobic slurs.

Anyway, back to the meat and potatoes, the dumpster fire that once was a happy lil family singing about how they don’t care about materialistic things, they just want a life that’s good. LoLz. The Beverly is no more and that became obvious when one owner filed a restraining order against the other. Deacon is tossing it around that maybe he should drown himself in booze again since he’s lost EvErYtHiNg. Tandie is back to babysit Daphne. I feel like maybe Daphne is a little old for bedtime stories, but Auntie Tandz disagrees and tells her a long tale of how history is repeating itself and Maddie=younger Rayna. I’m sure that’s comforting for Daphne to hear that her and her sister probably won’t talk for years.

Rayna sleuths on over to the auction after convincing a friend to sign Maddie. I’m sorry, I guess it’s Maddie JAYMES now. Because as if she couldn’t get any worse, ripping her mom’s famous last name from her AFTER declaring she doesn’t want her as a mom anymore SEEMS A LITTLE BIT RIDICULOUS. What a dirt move. Almost as dirt as signing with the New York label, which she obviously does. Adios, Maddie Jaymes, hope you’ll enjoy the big apple with Cash residing directly up your ass.


Nashville, Television

Nashville- “The Trouble with the Truth”


Everyone sucked this week. Cash and Frankie sucked for being the worst characters ever, Maddie sucked for taking insufferable teen to an all-time peak, and Deacon sucked for having no self control over his hulk-like tendencies.

But first, and most hilariously, Juliette is nominated for an Oscar and now we KNOW we’re watching fictional television. To make it even less believable, the second the words come out of the announcer’s mouth, her phone starts ringing off the hook. Ok. When she calls Avery to tell him, it just so happens that he’s in bed with Layla and she chooses that exact moment in time to murmur sweet nothings next to the phone so that Juliette then finds out what’s going down. I wrote last week that Emily dropping that baby off said it all, but apparently Juliette’s a little slower on the uptake.

Same with Layla, who realizes that maybe Avery still loves Juliette because he peaces up outta there like the bed is on fire, giving Layla a gentle pat on the back as a thank you for the pork sesh. What a gent. Unfortunately for all of us, they have an adult conversation later (that Juliette spies on) and decide that even though Avery’s exit the morning after was preeetttyy insensitive, they should give this thing a shot. And Juliette decides to act maturely (why?) and tell Layla the truth about Jeff–they both cry but they’re still enemies in love with the same soul patch wimpster. Juliette also wishes aforementioned wimpster happiness. I’m guessing she understands what we all do, which is that Layla and Avery are a flash in the pan and will be broken up by series end. I’m saying series because I’m hoping, nay praying that this season will be the series finale.

In other news, Will gets some radio play and then gets shampoo in his eyes. And that’s the most difficult problem he has to face this episode. Just kidding, the world attacks him again for being gay and points the finger at Luke for having an agenda and trying to tell the American people what to feel. I think that’s what they were saying. I tuned out because it’s a repetitive story line. Either way, Luke is appearing left and right waving the rainbow flag while Will sits at home and wah-wahs again.

Speaking of ruining a good thing, Scarlett & Gunnar are in post-coital glow for about five minutes until the Rolling Stone reporter asks a bunch of questions about their history and digs up all their old shit. By the end of the episode, they’re barely speaking and are back to being “just the Exes.” Okay, you two, thanks for participating in will they or won’t they, we’ll see you in the same place next week.

And finally, onto all the people who suck. Maddie thinks being an adult is pulling your loose mermaid waves into an updo and donning a paisley smoking jacket, apparently. At the hearing for her emancipation, she pulls out the big guns and testifies that she doesn’t feel safe living in the same house as Deacon. Deacon is then called to the stand to testify on all of the people he’s beaten or killed in his lifetime (no biggie) all mouth-pieced from Frankie the jelly belly, who smugly watches from the back of the courthouse with his stupid tall hair. On what planet is it appropriate for a man over the age of 40 to have a pompadour? Don’t answer that. Cash should be embarrassed, especially if she’s trying to become famous.


After day one of court, Rayna sobs in Maddie’s bed and meanwhile Deacon goes to chitchat with Frankie and ends up getting framed for beating his ass when Frankie the turd threw the first punch. PS Kelsea Ballerini sings Peter Pan and she’s awesome and all, but those few minutes when Frankie is hamming it up with his customers and singing along to her song were some of the funniest in this show’s history. Deacon’s seething at him from the corner of the bar and Frankie’s doling out hugs and swaying to a teen country star’s song about her ex boyfriend. All the awards for that performance.


Then he ends up in the hospital with a broken nose and rib, and Deacon ends up in the slammer. I wonder if he’s near Teddy? Congrats Maddie on having both your dads in the big house. Rayna visits Deacon in jail and reminds him how G-D stupid he is. Ugh they’ve been married for 5 whole minutes do we really need to break them up this early? In Nashville plot, the answer is always yes. In the end, Maddie is granted emancipation and I’ve never felt the urge to punch a character in the face more. Especially when Cash hugs her and says “WE DID IT!” Cash you thirsty MF’er. You and Frankie with the erect hair need to GTFO. And that’s that.


Nashville, Television

Nashville- “Baby Come Home”



I realize this is almost a week late and I would apologize but I took all of last week off from blogging because I decided that I deserved it. On the bright side, I was vacationing in Nashville for the better part of last week and therefore we can count it as research. To which I will tell you that The Bluebird Café is not a lovely wooden bar with twinkly lights and celeb status, it is a hole in the wall located directly next to a McDonalds in the middle of nowhere and you are charged 3 extra fees just to sit inside it for 2 hours. *QUIETLY* So there’s some TV magic ruined for ya’ll.


Anyway, since we’re talking about things ruined, let’s talk about how baby Cadence is the human form of a C-block. When Avery and Layla finally, no surprise to anyone, smooch on their tour bus of love, Cadence lets out a howl that says, “no one will be getting any on this bus.” Then later on, after Juliette tries her typical manipulation to get Avery onstage with her, she finally fesses up and tells him she still loves him and they should try again. At the pucker of Juliette’s lips, Cadence turns on the waterworks. Congrats you two, you created a monster. Avery found a quick way around that though when he has Emily drop the little cockblock off at Juliette’s room to signify that he’ll be having a slumber party elsewhere. Ugh. Terrible decision, Avery. Calling Juliette during sex would’ve been less mean than using your own child as a flag to wave that you’re getting laid.

In related “things that were obviously going to happen” news, Scarlett and Gunnar get stuck in an elevator because the show needed a small place for them to finally harness their sexual tension and face it head on. Their foreplay is whiskey and “If I Didn’t Know Better.” They bang and that’s obvious.

And onto our melodramatic teen that wants to, in Daphne’s sad, sad words “divorce her family”, we’ve added Teddy back into the equation, which I think is pretty lolworthy because a few recaps ago I mused if he even still existed. Lo and behold, here’s Teddy still rotting in jail, except now he’s being asked to sign off on the emancipation before Maddie takes it to court. Maddie visits her fake dad in jail and is all, Deacon attacked some guy at the club feeling me up, so you can see how unfair this is, sign the papers and side with me. Except not so fast…Teddy reveals he only signed Maddie to Edgehill because of the whole blackmailed for banging a hooker thing. Remember that? The thing that got him thrown in the clink to begin with? Well, it didn’t really help the whole lying/manipulating parents sitch, whoopsie, so Teddy has been dismissed from the show, probably forever.

On Rayna’s side, she gets to that little snake Cash and threatens her with, “I will make sure no one from music row to lower broad will ever work with you again.” Cash should be shaking in her boots because Rayna basically owns Nashville and also since I’m a recent tourist of the city, I know that those are actual neighborhoods there. Ask me where they are and I will tell you I have not a clue. At one point I discovered I was in music row because a new snapchat geo-tag showed up that said “Music Row”. I know, I’m a genius.

cash sucks

Rayna catches Maddie at a vulnerable moment and thinks she gets her to call the whole deal off, then Maddie shows up last minute at the Opry to play with Daphne for a benefit. Except it turns out she didn’t LOVE what Rayna said to Cash and the emancipation is STILL ON. She only showed up to prove that Daphne and her are still sisters even though she’s bare-handed ripping this family apart. Everyone cries, including Rayna whose singing. I wouldn’t feel fab about paying for tix at the Opry and having the lead act cry onstage. PS I’ve been on that stage, NBD but KBD. Double PS, if you ever go to Nashville, skip the Opry backstage tour because it is literal dirt, and they wheel in a TV (substitute teacher style) with Deacon Clayborne on it to read the history of their soundstage. I see him every week on my TV; I don’t need to pay $35 for it. Alright, I’m done yapping about my life. See YA next week in court.

Nashville, Television

Nashville- “Didn’t Expect It To Go Down This Way”


Since I definitely lost sleep over whether or not our new minor character that’s only been in like 2 episodes is okay, let’s get this right out of the way. Riff told his wife he’ll be home when he’s “good and ready”, which is a mature adult thing to do. Then he’s admitted to a hospital for having a stroke, as a result of days of boozing, pills, Viagra, and sex. And the cherry on top of the disgusting sundae that is Riff’s extracurriculars, he was found and brought to the hospital by an escort. Well, well, looks like the family man and hot dad has a darker than drunk Deacon side to him. All because of tour life. SO I guess he’s out!

The Exes are still IN on tour with that devious AF country singer. New revelation: Autumn’s neighbor is James Taylor, of course and she uses it to lure Gunnar like she’s driving by a bunch of kids with a free candy van. Gunnar is like I LOVE JAMES TAYLOR and then she’s like k come BY YOURSELF and he realizes there’s a potential rape in the mix and says no thank you. Was that too aggressive to compare Autumn to a chomo? Probably. Do I care? Never. She also buddies up to Scarlett for a little spa day and so Gunnar’s like k, everyone’s friends so I guess it’s okay if I go to Autumn’s hotel room by myself.

Don’t call it a comeback but Juliette has breakfast with Glenn and Emily (because she pays them to be around her at all times) and she’s like, GANG’S ALL BACK TOGETHER! Avery decides to be bandleader to Layla’s tour and she promptly inserts her lips to his ass and gives him her bedroom on the tour bus, complete with crib. Except since Riff is now unconscious or whatever (some people just can’t handle strippers&blow, amirite?) there’s a headlining spot on the tour open, so Juliette obviously adds herself to the bill and is like hey ya’ll I’m BACK FO REALZ. LoVe TrIaNgLe.

Ya boy Will is having some love troubles surfing Grinder because he’s jelly AF that Kevin has been sharing Pinot with another man. He doesn’t have to swipe right for long because lo and behold there’s some man candy in his backup singers crew who won’t stop drooling over him. Obviously in cringeworthy events he invites him out for a beer thinking it’s a date and this guys is straight AF. LoLz dating faux pas. Backup singer also offers to hook Will up with his gay cousin, what a gent. And also kind of a moron. “Hey I know a gay person, you should mate!”

And last but certainly not least, Maddie’s such a wild child and a bad gurrrrl that she snuck right on out of the house before she could be punished for sexing it up onstage and getting a creeptastic leg caress. AND DAPHNE BLAMES HERSELF. That sweet, sweet cherub. Rayna rolls into Cash’s place guns blazing looking for Maddie and Cash is like check this out your hubs is SO aggressive and conveniently pulls up a quick vid. Rayna tosses her hair and tells Cash to suck it, or at least she should have because Cash deserves a good SUCK IT. After Rayna leaves Maddie comes out of her hiding place, how she could have ever hidden in time when Rayna rolled up that quick is TV MAGIC. Maddie wails about how her parents JUST DON’T UNDERSTAND HER and Cash is like k but your mom gave you a record deal… So the two of them put their idiot teenager heads together and decide to get Maddie emancipated so she can sign with Sony, become a preteen super star and shave her head/have a drug addiction by 18. Even better, Maddie’s probably going to live with Cash who’s like obsessed with her or something. Gr8 plan!!! But like, maybe if Deacon weren’t such an angry elf this all wouldn’t have happened.


PS- total props for the Thomas Rhett cameo of singing the most romantic adorbsies song ever. Kind of makes up for all the name drops they throw around and don’t follow through on. Kind of.