Nashville, Television

Nashville-“Maybe You’ll Appreciate Me Someday”

(Ehhh…probably not.)

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OH BOY. We are finished. The series of Nashville is dunzo (until they grovel so hard for a spot on Hulu and I pretend it no longer exists.) I counted down the minutes this episode, urging everyone to get their shit together by the very last frame. And they did. Sort of.

Let’s start with some LoLz. Colt facetiming Luke from “the army” wearing a camo bucket hat. They really made that one believable. How did he get his ass kicked for defending his dad’s liberal views and yet doesn’t get his ass kicked for rocking that bucket hat? Seems fishy, is all.

Let’s check in with Maddie for a hot sec. She’s still doing the NYC thing and upon meeting her producer, takes a kissy-faced selfie with him. SHE’S SO MATURE AND DESERVING OF AN EMANCIPATION. While shamelessly stalking their daughter on Instagram, Rayna reveals that Maddie’s producer Vince is the same one who tried to give her some unsolicited kissing back in the day. Deacon’s all, you don’t say! As he puts on his readers and goes in for a closer look. Just don’t accidentally double tap, Deacon! Every insta-creepers’ worst fear. Rayna somehow escaped the clutches of Vince back then (probably by flipping her magic hair and telling him to suck it) but she’s pretty concerned about Maddie. Probably because Maddie’s an idiot who would probably ask Vince mid-rape if he would mind posing for a quick snapchat (with the dog filter obvi.)

That may seem like a harsh assumption but when Vince drops the “I’m having some people by my private studio, you should stop by” line and Cash the wannabe is like WE’RE SO THERE, it doesn’t reeeaaallyy seem like a great idea. The second they walk in Maddie has her dumb phone out for a selfie. I want to hulk smash that phone out of her hand. More to come on the Maddie front but I’m irrationally angry about what a moron she is at the moment.

So we’re going to chat about Scarlett, whose southern accent gets more hick every time I hear it. My ears will be #blessed without it penetrating them every week. After another encouraging chat from that manager who’s only lines have been about headshots and tour offers up until this very last episode (cheers to you for finally getting your time to shine as a character in the series finale, guy) Scarlett decides to word vom it up to Gunnar that she loves him. Aaaand then Big Red comes tromping in like bull in china shop and is all omgggg you told her we’re together?! Die away from me, Red. She then manipulates Gunnar to believe Scarlett doesn’t really mean it, the Exes break up for a hot second, manager flexes his acting skills again with another pep talk and bingo bango, you’ve got a live Exes reunion when Gunnar plants one on Scarlett mid-concert. This generates an AWWWW for all normal people, and hysterical laughter from me. Be more predictable, Nashville. You can’t.

JK they totes can because guess whose garbage can devious plan went up in flames around her? Laaaaaayla. (Pls sing in Eric Clapton voice for full effect.) As she sees her sham of a publicity relationship with Avery going downhill, she calls in an anonymous tip to the paps that Juliette killed the Jeffster. There’s lawsuits and headlines and Juliette’s like whatever I’m over it, let’s do this thing. Kind of pokes a hole in Magnum Layla PI’s course of action here. I’ve never seen someone try so hard just to date a guy with a flavor savor. Gross. Glenn loses his shit on Layla, knowing exactly what she did and fires her. When you get yelled at by Glenn, you know you’ve hit rock bottom. At the same damn time, Luke tells Avery that Layla has known forever and it’s byeee bye bye bye bye to her career…and relashe. Juliette comes clean at the Oscars, proving how much she’s matured and Avery is like okay you may come back to us now that I know you almost offed yourself just because I divorced you. So everything’s roses for mommy, daddy and forever screeching baby Cadence. Right?

In the trend of full-circle character development, now that Will has decided to speak of his gayness on a political talk show, he’s fully embracing the community. He rallies some wily gays in Atlanta via Kevin (who’s newly single) to protest outside of Cynthia’s studio. In turns into a quick pop-up concert with a duet between Luke and Will that has Kevin soaking his undies out in the audience. Will finally gets his shot to appear on the show, crushes it, obviously and then gets some sage advice from Luke about going after Kevin. “You never know if you’ll get a second chance, until you take a chance.” Wow, Luke. That was PROFOUND. Sounds like it belongs in one of your shitty songs. Either way, both boys take that chinese proverb to heart. Kevin and Will are back at it again and not one for leaving a character without a happy ending—Luke tries to reunite with his ex-wife who we never once heard anything about and even chats it up with his daughter. Cause like, apparently he has other kids too, who didn’t witness a man tumble to his death and then join the army to escape it.

Alright, now that we’ve tied up all of our supporting characters’ lives neatly with a bow, let’s get back to the insufferable Maddie and her forever front-facing camera. Rayna can’t figure out a way to warn her because as Desperate Deacon points out, “she blocked us on Twitter!” Gawd, can you imagine your mom tweeting at you not to get raped by your producer? #AWKWARD. Rayna does her one better and pens an open letter to Huff Post. This is why you never underestimate Rayna James. Oh, I can’t call my daughter? Cool, I’ll just have my message to her published in a national newspaper in five minutes. Boom. Roasted.

Deacon continues to cr33p so hard on Maddie’s insta, refreshing it every 30 seconds—and this is why parents shouldn’t be on social media—but lookie, lookie, finds her #PartyAtVincesHouse post. For someone whose constantly on social media, that hashtag bloooows. Act like you’ve been here before, Maddie. In fact, I’ll whip up a caption 1000x better for your right meow. How about #PhotobombPervAlert or #WatchOutForViolationVince? I could go on for days. Jus sayin. While Rayna and Daphne sing a duet (only Rayna gets a rhinestoned mic…in due time Daphne, in due time) Maddie finds her mom’s letter and finally stops being a dum dum. Except Vince has Maddie pinned down and Deacon comes plowing through at the exact right second to stop it. So does Cash…cause I guess she’s done chitchatting with Chris Martin (it pains me that they brought Coldplay into this.) BYEEEE CASH!! Hope you had a fun ride on the coattails of a sixteen year old! Deacon brings Maddie home and they all have a life that’s good. Weird. Who called that?

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And that’s all folks! PSYCHE, as Juliette is skipping the Oscars to race home to her fam, her plane has a distress call and she probably died. Guitar Riff. She didn’t win an Oscar either. Tough night for Juliette. But like, at least everyone else lived happily ever after! Even Luke! (Probably not Teddy..) Sucks to suck, Juliette. Thanks for turning into a gr8 person just to maybe die, or at best, get lost at sea. Cause Nashville is surrounded by seas. Ok whatever. Let’s end the series on an uplifting note. Known for his shitty toupees and success relying directly upon Juliette, Glenn has kind of gotten the short end of the stick in this series. But him in those blue glasses at the Oscars? HoT DaMn! What a stud.

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Welp that’s all I got. Thank you for allowing me to shit on this show every week and make it more bearable to watch by poking fun at it. Hope you weren’t banking on a streaming service comeback as much as the writers who stuck us with that cliffhanger were. BYE YA’LL.


(if you ever get lonely and have the nostalgic Nashville feels, hop right onto my playlist for a trip down memory lane of all the best music moments.)


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