Nashville, Television

Nashville- “How Can I Help You Say Goodbye”

boozeyjuliette

All right, let’s not dance around it. This episode was a total downer. We’re forced to care about Bev’s life even though the vast majority of her existence on this show has been acidic. On top of that we’re on week I’ve lost count of Juliette’s downward family-hating spiral and it’s clear that this will fill Nashville’s void of torturously drawn out story lines that was left behind when Will FINUHLLY came out. And as if I wasn’t already feeling all sorts of things they go ahead and lay a heartbreaking Daphne meltdown on me when she realizes her dad is actually a dirty, dirty criminal liar.

UGH. I’m emotionally exhausted just from reliving all of those, but I’ll put it to the side, so we can talk about how Cadence is the worst baby in America. Like we get it girlfran, your lungs work just fine. I’m already not a fan of babies and her screeching every time we see her is not really making a convincing case for kids. The roomies handle it pretty well by trying to soothe her and then just ignoring the fact that she’s screaming bloody murder but of course the only thing that will make baby Cadence shut the F up is Mommy and Daddy’s original lullaby. What a conniving little snake that baby is trying to get her parents back together behind the music style on the same day that Avery files for divorce.

Before he decides it’s time, Avery reunites with Juliette’s employee castaways Emily & Glen. Emily offers nannying services, which will obviously become a problem and Glen tries to get preachy with Avery about how he should handle Juliette. Avery should probably fire back about how Glen’s facial hair is dark grey while the hair on his head is platinum blonde. Zing. Eventually he stares at a family picture, gets sappy to the harmonies with his estranged wife and decides not to sign the papers that he requested in the first place.

Juliette is blissfully unaware of her potential to be a divorcee while she tears it up on break from tour with Luke. She gets day hammered, throws a party and makes Luke join her onstage for a little Joan Jett karaoke because girl fo reals does NOT give a damn about her child-abandoning reputation. She also clearly doesn’t worry about hair tangles as she slams her head all over the joint in attempts to look rock n roll…or try to shake the memory that a human came out of her vagina a mere few months ago. Luke gives her a heartfelt talk the next morning when she’s probably still a little drunksies about choosing family over partying, like he wished he did. Juliette promptly chooses mimosas—which are delicious by the way. I bet mimosas don’t scream and cry all hours of the day. Jus sayin.

Keeping with the dysfunctional family theme, Maddie records a song WITHOUT Daphne, because Daph is too busy slugging bitches during recess for calling her dad a guilty jailbird. Rayna decides that maybe it’s time for a Conrad family reunion in prison. Prison Teddy looks RUFF and also he lets it slip that Daphne doesn’t need to throw haymakers on the playground in his defense anymore because he’s actually a dirty crook. There’s a lot of tears and screaming and all the sudden the two terror sisters are chip-chopping up family photos like little savages (or scorned ex-lovers trying to erase a cheating boyfriend from their lives.) Supes normal. Rayna finds the scissor sisters mid-demolition and goes APESHIT. Obviously this elicits a HE’S NOT MY FATHER from Maddie, lest we have momentarily forgotten that Deacon is HER REAL DAD. Don’t you even fret though because Rayna brings the girls back to Teddy’s high security new home to show us a precious family moment as she thanks Teddy for always being a great dad and husband and all around winner. Three cheers for the Conrads! Except not because Teddy says he’ll be pleading guilty and extending his stay in the big house AKA no longer on the Nashville call sheet. It was a nice send-off with his daughters forgiving him for being shady AF.

Low-key, before we get to the Bev saga, Will’s boyfriend Kevin has a motley crew over for a writing sesh and they heckle Will for not using his celebrity to champion gay rights. Quick reminder that this is the guy who was essentially dragged out of the closet kicking and screaming. Let’s get realistic about him becoming the leader of a country “gay is the way” movement 5 minutes later. Gawd, Kevin. LAY OFF.

Ok now for the heavy, a random doctor recommends taking Bev off life support and Deacon turns into Uncle Bully who refuses to pull the plug even though Scarlett has deciding power. They give Bev a medical test to see if she can take a breath on her own and the smug doc is like har-har she definitely will not and then lo and behold Bev takes a breath and Deacon gets right in his grill piece to let him know it. The doc peeks out from cowering under the hospital bed after Deacon’s aggressive “YOU DON’T EVEN KNOW HER” tirade to announce that this breath means absolutely nothing and they should just yank her off life support already. Scarlett mulls the decision over by asking hot doc to decide for her and worshipping at the chapel piano for a little musical healing. I approve of the song, obviously. Then girl runs right into Gunnar’s outstretched arms. No, really. The final verdict is to let Bev go to donate her organs and Deacon handles it like a real asshole. But then I feel kind of bad because he has a big noisy cry when the offing appointment is. Then I remember that Deacon made his niece kill her mother all by herself and I go back to thinking Deacon’s being a real selfish turd. Either way, it was pretty depressing. The up side, obviously being that Bev is gone as historically the most milked minor character death. Most pressing matter of all though…what’s with the sloppy side braid Rayna? Clean it up.

braid

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