Nashville, Television

Nashville- “Two Sides to Every Story”



I hope that everyone had a nice break from Nashville and had some time to reflect on why we still watch this show. Yet here we are coming back for more in hopes of a new song to cancel out a full scene of Juliette riding a handicapped scooter with a scarf covering her face. I’m pleased to announce that this week we got one. We finally got a quality song! But more on that later…Let’s begin with our side piece this week that may soon grow into a character with an interesting story line…Sadie Stone. The writers realized that throwing in a dumb text from an ex was not the story we deserved from Sadie and decided instead to enter her into the bang triangle of Avery and Gunnar, like many (every single) a Nashville beauty before. It’s perfect timing really, Zoey has just exited, Gunnar is looking for some rebound lovin (and a mom for his kid…who unfortunately is still around). Avery is still doing the do-si-do with deciding if he’s gong to re-up with Juliette and let’s be real, she’s only getting bigger and crazier by the minute. Sadie sits down to co-write with Gunnar and he tries to lay it on thick for her, we all know Gunnar does his best flirting while song writing, but instead of ending in a hookup it ends in Sadie offering for her manager to show up to one of Gunnar’s band’s (that is currently dunzo) gigs so long as Gunnar can find a producer for Sadie’s record. And just like that, Avery is entered into the mix, meeting with Sadie at the band’s gig and trying to charm is way into her pants—sorry—recording studio.

Since all of the young’ns on Nashville are tied because they’ve all porked each other at some point, crazypants Juliette gets involved because she overheard all this going down and was like hey this is around the time when I can blame everything I do on pregnancy hormones. She grabs that wet blanket of an assistant/friend and starts tailing Avery to see if he’s moving on. Of course, we all remember too vividly that this is when the aforementioned motorized scooter slapstick comedy of Juliette wearing a scarf on her head and taking down a tent at the music festival occurs. Avery catches her spying because WHO WOULDN’T SPOT HER?! It’s like looking for the Loch-ness Monster on land. They have a little conflict where Avery pulls the “I’m trying to provide for our child and you blew it!” card, shaming Juliette into sitting down with Sadie and selling Avery for the producer job. Juliette promises not to be a jelly belly (can we get that in writing?), Sadie agrees, and we take another step forward with Juliette and Avery getting back together. Except now we have Sadie who will be working with Avery closely on her album…hmmm….

At the same music festival where gangster Juliette was joy riding at speeds of 1 mph, Layla and Will decide to attend wearing “disguises”. Layla declares at the beginning of the episode, “I’m tired of us.” Me too, Layla, me too…you walked right into that one really. Apparently her and I have different solutions for how to not be tired of them–I would assume that means they leave the show, they decided instead to wear hipster beanies and sunglasses to the music festival deeming them TOTALLY anonymous. This will go great until Will inevitably looks for a penetration buddy…and it took just about no time for that to occur. Will sees that a bartender is gay and turns into an after school special asking him what it’s like to be gay. Obviously a confused and closeted Will sees this as flirting and then gets sloppy drunk and tries to kiss the bartender later, ending in some dramatics and oh wait he’s still in the closet and we’ve seen the same story line with him for 2 seasons now. Our other half of the reality couple has decided to play kumbaya on the floor of a tent without the sunglasses, but no one recognizes her so it’s, okay…except of course for Jeff Fordham who is surprised that she’s good! It’s okay Jeff, pretty much everyone is. Jeff starts being nice to Layla and I think I speak for everyone when I say there’s absolutely a catch here, we just don’t know what it is yet. The fact that we don’t know is reason enough to celebrate because we’ve finally gotten an unpredictable story line, predictable in the sense that we know Jeff will screw Layla over, unpredictable in that we don’t know how. He continues to slobber all over her with that slimy snake grin of his, even playing the guitar for her, no singing though. Tease. Obviously Layla falls for this hook, line and sinker, mostly because she’s having a conversation with someone who hasn’t brought up how dumb she is once, so she sleeps with him of course.

While Layla is convinced that the grimiest guy in the music biz has changed, Zoey is still trying to claw her way to a record deal or any sort of recognition for anything that she does….she’d settle for just a purpose for being on this show. Gunnar puts the band back together to impress Sadie’s manager, who tells them they could be the next Lady A and Zoey hears this and you can actually see her start to drool. While she’s planning the fame, money and touring in her mind, she realizes that Gunnar isn’t as into it and he confesses he put the band back together so that he can trick her into being stepmommy Zoey again. Yikes. Zoey storms off and declares to Scarlett that she’s no longer wanted here (HOW DID IT TAKE THIS LONG FOR HER TO REALIZE?!)

Scarlett is pretty preoccupied because she has become homeless Terry’s manager, essentially, although she acts like more of a stage mom. She books a performance for him and then forces him into interviews and when he gets onstage we all wait for his breakdown, and boy does he deliver. Although it’s no Scarlett 2.0 cowering under a piano and screeching, it’s still weird. Terry runs through the crowd covering his face and hits the streets again, brown baggin it with his fellow homeless squad. Scarlett goes after him and he basically tells her everything we’ve all been thinking. Stop being a pussy bitch and get back on the stage to perform again. Fired up from Terry’s boozey words, and also realizing that Zoey peaced on the band, Scarlett slinks her way right in and Gunnar, Scarlett and Avery perform the song of the night! Besides the cheesetastic pans to Micah in the crowd singing along to his dad’s songs, this performance is the stuff. They ARE the next Lady A singing a song called “Borrow My Heart”, the crowd’s into it, and I couldn’t wait to see Zoey’s reaction. You’ve officially been erased from Nashville, gurl, baiiiiiii. The manager calls Gunnar after this sasstastic performance and twists the knife deeper saying that the band is even better with Scarlett. Oooh Burn. Zing. Zoey. Gunnar turns down the manager’s offer for that stupid kid who will now ruin the rest of his music career forever. Whatever, I got a taste of a good song and now all we can hope for is a Scarlett/Gunnar song in the near future now that Zoey is outta here. Good riddance.

And finally, separate from the music festival that everyone who’s anyone is at (we separate the olds from the youngs this week), it’s Christmas special time at Rayna’s (while Deacon sits in his house listening to Alanis Morisette with the lights out.) Hollywood has taken over Rayna’s house with their over the top Christmas decorations because girl will literally do anything for press now. The Rolling Stone mag comes out and Rayna puts on a show pretending that she didn’t say things the way they printed it, hey Rayna cut the shit, we all saw you sell your sexy Deacon story to cover up the mess of incest that is occurring with your sullen teenage daughter. She tries to catch Deacon before he gets his eyes on that tell-all but whoops too late, Deacon’s already read it 10 times and stained the pages with his tears and he’s avoiding her calls. Luke’s like hey Rayna why are you so obsessed with Deacon and this story and also would you like to shower with me? Rayna says a hard no. And we’re all like, hey Luke, it’s about time you clue in that you’re wedding will not ever actually happen and Rayna would rather have sex with Deacon. Rayna finally gets a chance to go to Deacon’s house and talk to him, giving us all false hope that she’ll slide right back into his arms but instead he declares his undying love for her and she tells him to move on because she CLEARLY has. Oh, have you, Rayna? Meanwhile, she complains the whole episode about how the cameras are always around and her family traditions are ruined and Luke reminds her that she did all this greedy shit to get more famous….Catch 22. #celebrityproblems. That pretty much sums up our time with Rayna/Deacon/Luke this week. Oh yeah, and Deacon tears a sticker of Rayna off his guitar case. It’s like ripping a band aid off–he’s over her now. Just kidding, he’s still obsessed with her and wanted to be dramats.


Random Highlights:

-Lexi, the PA, asking Rayna for an autograph and also assuring that she never works in Hollywood again. Props to Rayna for doing exactly what any celeb would do in that situation though, “what’s your  name again?”

-Rayna wears a stupid lacey pirate shirt for far longer than my eyes can handle in this episode.

-Scarlett is probably the ugliest cryer on this earth. Her crying is uglier than Kim Kardashian and that says everything.

-Ruke/Layna compare themselves to Johnny and June and then do a hideously awkward and cringeworthy rendition of Baby It’s Cold Outside with a slew of pre-song banter that gave me all the uncomfies. I’ve never wanted to unsee or unhear something any harder. But Happy Holidays, Ya’ll!



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